The music of Dimitri Shostakovich (1906-1975) is extremely emotional given the context in which it was composed. Shostakovich lived in Russia under the tyrannical reign of Joseph Stalin until Stalin’s death in 1953. He was constantly under threat of imprisonment or death if his music didn’t align with the Communist propaganda. In fact, after World War II ended, many of the Russian bourgeoisie were rounded up and imprisoned and eventually executed. Many Russian composers faced this and many works were censured. Shostakovich’s Symphony No. 9, which commemorated the victory, was deemed inappropriate and didn’t support state values, so it was censured by Stalin.
Shostakovich didn’t write another symphony for 7 years. Finally, after Stalin’s death in 1953, he premiered his 10th symphony. It is widely believed that the second movement of this piece was a portrait of Stalin. After all, the man was responsible for more than 20 million deaths of his own people by starvation, execution, imprisonment, and exile.
This movement has a biting, sinister character. The clip above is the opening of Symphony No. 10, Mvt 2. The oboe melody that is transferred to viola is in a minor key at a fast tempo, invoking aggression. This next clip has the same melody in augmentation, meaning the melody is played much slower. Because it is played by the trombones and tuba, it sounds even more oppressive. In this clip, I imagine the low brass representing state police rounding up peasants, bourgeoisie, or religious leaders (represented by the high strings and woodwinds) and shooting them on site or loading them into trains to be exiled to Siberia. Shostakovich’s music accurately captures the emotions of the Russian people who lived under the terror of Stalin.
Thanks for reading my posts on this week’s emotion: fear & anxiety. Next week: serene contentment.